The LCRW 33 Interviews: D. K. McCutchen: Star Stuff & Worm Meat

D. K. McCutchen is a Senior Lecturer for the UMass College of Natural Sciences. Lack of poetic DNA led to tale of low adventure & high science titled The Whale Road (Random House, NZ; Blake, UK), which earned a Pushcart nomination & a Kiriyama Prize Notable Book award. In a literary attempt to save the world, she’s now writing mostly scientifically accurate, sometimes erotic, gender-bender-post-apocalyptic speculative-fiction. The series begins with Jellyfish Dreaming—finalist for a Massachusetts Cultural Council Artist Fellowship. She lives on the Deerfield River with two brilliant daughters and a Kiwi, who isn’t green, but is fuzzy.

“Jellyfish Dreaming”, an excerpt from the above-mentioned novel of the same name, vies with Giselle Leeb’s “Ape Songs” for the weirdest dystopian future depicted in LCRW 33— a world of deserts and acidic oceans where humans and jellyfish are among the only things left alive, humans live off the jellyfish and are starting to become jellyfish themselves–it is also, disturbingly, the most plausible. For that reason I think this makes an excellent capstone in my series of contributor interviews (read them all here)

Settle in, friends. This one’s good.

Artwork © Tim Paulson
Artwork © Tim Paulson

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Readercon 2015 Schedule

Friday July 11

12:00 PM    F    Writing in the Anthropocene: SF and the Challenge of Climate Change. Gwendolyn Clare, Michael J. Daley, Michael J. Deluca (leader), Max Gladstone, Vandana Singh. Science fiction and fantasy have often dealt with fictional apocalyptic scenarios, but what about the real-world scenario unfolding right now? Climate change, or climate disruption, is the most challenging problem faced by humankind, and some have called it a problem of the imagination, as much as economics and environment. In the wake of the latest scientific reports on what is happening and what might be in store for us, we’ll examine how imaginative fiction conveys the reality, the immediacy, and the alternative scenarios of the climate problem.

4:00 PM    EM    LCRW. Christopher Brown, Michael J. Deluca, Eric Gregory, Deborah McCutchen, Alena McNamara. Lady Churchill’s Rosebud Wristlet Group Reading

6:00 PM    ENL    Solarpunk and Eco-Futurism. Michael J. Daley, Michael J. Deluca, Jeff Hecht, Rob Kilhefer, Romie Stott (leader). In August 2014, Miss Olivia Louise wrote a Tumblr post proposing the creation of a new subgenre: solarpunk. Solarpunk, sometimes called eco-futurism, would be set in a semi-utopian future visually influenced by Art Nouveau and Hayao Miyazaki, and built according to principles of new urbanism and environmental sustainability—an “earthy” handmade version of futuretech, in opposition to the slick, white, spacebound surfaces of 1980s futurism. Solarpunk blogs have since proliferated, as Tumblr users like SunAndSilicon create and aggregate concept art and brainstorm solarpunk’s technological and societal shifts, enthusiastically building a shared-world fandom with no single owner or defining central text. For some, building solarpunk is an escapist fantasy. Meanwhile, in San Francisco there have been meatspace conventions to develop some kind of manifesto, with the hope of eventually moving realworld society in a solarpunk direction. What, if any, are the precursors to this kind of grassroots genre creation? Is it an inevitable outgrowth of fan-funded niche publishing through crowdfunding? Is solarpunk’s locavore pro-tech optimism in the face of climate change a distinctly Millenial backlash to Gen-X dystopias? And can the inevitable contradictions of a crowdsourced utopia survive the rigors of critical reading?

Saturday July 12

10:00 AM    ENV    Reading: Michael J. Deluca. Michael J. Deluca. Michael J. Deluca reads A short story, 2900 words, forthcoming in Mythic Delirium.

LCRW 33 Contents

lcrw33cover

It is done! And I am very happy.

fiction

Carmen Maria Machado, “I Bury Myself”
Alena McNamara, “Starling Road”
Giselle Leeb, “Ape Songs”
Michelle Vider, “For Me, Seek the Sun”
Deborah Walker, “Medea”
D. K. McCutchen, “Jellyfish Dreaming”
Sofia Samatar, “Request for an Extension on the Clarity”
M. E. Garber, “Putting Down Roots”
Eric Gregory, “The March Wind”

nonfiction

Christopher Brown, “Winter in the Feral City”
Nicole Kimberling, “Cook Like a Hobo”

poetry

Leslie Wightman, “The Sanctity of Nature”
Ingrid Steblea, “Another Afternoon in the Garden”
Kelda Crich, “Child Without Summer”
Peter Jay Shippy, “Singing Beach”

art

Kevin Huizenga
Dmitry Borshch
Steve Logan

What a mind-altering thing this has been for me. You know how, in this modern age, you look at social media and you only see what you want to see, from people you agree with, or at the most, you see stuff people you agree with are making fun of or eviscerating? Because that’s how the algorithms are designed to work, they’re these feedback loops trying as hard as they can to keep you coming back. Or maybe you look at TV, but your preferred stations and talking heads are doing basically the same thing, they’re narrowing down, they’re telling you what they want you to hear and only that. And of course, because everybody’s competing with everybody else for that privilege and for your attention, they simplify, dumb down, hyperbolize. And okay, maybe you go out into the world and interact with actual people, but disagreeing over drinks or a game of croquet just isn’t polite conversation, you don’t want to hear it from them any more than they want to hear it from you. Life as a process of polarization. It’s the virgin forest and the oil refinery and nothing in between.

Well, reading submissions for this issue has been the opposite of all that. It’s been open and organic and worldview-shakingly diverse, and it has been a balm. I feel like I’m seeing this thing, us and the world, in so much more relief and nuance than I ever was before.

I don’t know if it’ll feel the same for all of you who read it; you’re not vested in it in quite the same way; you’re not seeing yourself in it like I am. Seeing myself in the work of 250 or so writers, poets and artists, picking out the best of those, the ones that touch and cut at me and break me open. And then reading them all again, being forced by practicality and circumstance to pick out even fewer, then fewer still. And then arranging those in order, not unlike the way one arranges the scenes in a story, for all these other people to take in. What a thing.

Maybe it won’t be the same for you when you read it. But I hope it will. Because we all need that.

The issue will be out in print and ebook form in time for Readercon, at which there will with any luck be a small group reading from those contributors who happen to be in town. Later there will be a podcast episode. More about all that later. In the meantime, why not subscribe to Lady Churchill’s, get your copy and some delicious chocolate in the bargain.

A happy if belated solstice to you all.